Possible Actualities is a series that employs video animation as a medium to animate an inanimate Suprematist painting by El Lissitzky, bringing it into a state of movement. There is always a desire to imagine what is behind these paintings. The series involves some optical illusions; therefore, there are several ways of transitioning the painting from one state to another. Through the movement provided by the video animation medium, what becomes essential is the geometrical relationship of the forms and their compositional arrangement after a full rotation. As a result of this movement, their compositional relationship changes while their shapes are also changing; therefore, we can never fully grasp the object.