Possible Actualities is a series that employs video animation as a medium to put an inanimate Suprematist painting of El Lissitzky in the state of movement. There is always a desire to imagine what is behind these paintings. It involves some optical illusions; therefore, there are several ways of converting the painting from one state into another. Through the movement provided by video animation medium, what becomes essential is the geometrical relationship of the forms and their compositional arrangement after a full rotation. As a result of this movement, their compositional relation is changing while their shapes are also changing; therefore, we can never grasp the object entirely.